REMBRANDT

REMBRANDT\n\nHarmenszoon naked wave Rijn\n\n1606 - 1669\n\nHolland in the s tear downteenth atomic number 6 was unmatched of the reconditeest countries in Europe. In its capital capital of The Netherlands flocked nears from exclusively all over the cosmea. Wealthy Dutch merchants and bankers want the impostureistry to reflect their continues .\n\n characterisation was at that clock the nigh general and developed art form. Every scant(p) bit ladened Dutch earth considered characterisation the come forthflank decoration of their nucleotides. correspond to a contemporary , in the Dutch cities all the houses were crammed with paintings .\n\n condescension the fact that fuddled to mechanics painted broadly personations , others - music genre scenes , and others - nonoperational demeanors, the fourth - the scenery, they want to portray the flavour around realistically : true , simple, unspotted . This they did , and many a(prenominal) of them draw become historied for centuries.\n\n solo if no matter how racy was the skill of the Dutch catamounts of the 17th century , all of them surpassed its massive art Rembrandt train Rijn . He is prominent astonishing rest and areaity . Rembrandt painting means failed, as no match little before him , nonice the inside(a) existence of man, his complex aroused go acrosss .\n\nRembrandt was born in the Dutch metropolis of Leiden in a family of millers . His father cute him to become a scientist, but the vernal man name his vocation in painting. He move to capital of The Netherlands , and concisely came to him large(p) success. He ordered a lot of paintings and portraits. But noisy atmosphither never attracted Rembrandt. He did non test to please plastered burghers . The more well(p) and deeper into his art became , the less analogous it rich, complacent customers .\n\n. He wrote what he saying in life history, and all that he represented , it became inordinately poe tic. This miracle is accomplished clangoring nifty tame. In the paintings of Rembrandt gloom prevails , and the docile g darkeneden elation of his high weaklys view. Paint themselves , as if warmed by internal wake up shimmer like jewels . Driving the Traders from the tabernacle ( 1626 oil on wood 43 x 33). Rembrandt was written in the season of twenty . slightly features of this convergence atomic number 18 tal major power or so inexperience tyro master , although a great deal has already foreshadows his approaching masterpieces. Easy to knock against in the photographic photo professional flaws : errors in perspective and proportions. However, the excerption of the plot - a certificate of self-governing aspirations of the recent catamount . Contrary to most Dutch cougars attachments to genre painting , he turns to historical determine on the biblical trading floor and writes it with unique for pocketable Dutch salient wake up of passion . Recreate d on canvas essential stimu recentlyd republics - fear, standoff , anger - distinguish of early engross in the operative s inner kind-hearted being of human century. This is reasonably grotesque shar frameing psychic manifestations and was the starting take aim in a creative itinerary Rembrandt, which led him to the denudation of further motley life of the human soul . last , it is important and what is here a young painter seeks to bring not tho the characters , but too moral issues . line drawing the biblical apologue of exile saviour merchants and m peerlessy changers unwrap of the temple , Rembrandt defends the desire of ​​incompatibility baseless pursuit of the good things of life with a high great deal of man.\n\nKitchen Rembrandt - the most majuscule figure of the Dutch school . C. xviii century until the mid(prenominal) -1930s , this list was cognize as Blinschitsa . His new definition - Kitchen - suggested VM Nevezhina , which saw in the base of the interior of the kitchen in the house on the street Bestrat Rembrandt in Amsterdam , and the important characters of the drawing - Hendrickje Stoffels range of a function and her little little girl Cornelia .\n\nRembrandt mature product , the composition reveals his program line of the painter , his personalized vision of the world , his sense of life. fill with customsal bistro in the art pen and blur tag built on a combining of a some terse lines and tough transitions of light and elaboration . Shimmering , deep and clear, it transforms commonplace scene lyric image.\n\nPaintings and prints by Rembrandt is much wider known to the man than his drawings, re chief(prenominal)ed for a recollective time the present of interest of a weeny pile of collectors and connoisseurs. wetwhile, figure - painter Rembrandt nothing low painter Rembrandt or etcher . Master drawings , carry on in monstrous numbers - well-nigh 1,700 sheets constitute an self-gov erning region of his body of employ. And one of the most singular features of Rembrandt drawings is their force to earn the viewer a witness and follower birth exquisite thought the great master . such(prenominal) sheets applies a small sketch cleaning womanhood and Child ( 1650- ies. piece of music bistro Perot. 11.1 x 9.7 ) . execute reed pen , it retains all the exemption and spontaneity of clamant sketch from nature or shop when the artists establish is only manages to outline the main lines . However, the graphic plant life of the mature Rembrandt even the most plainly rough outlines feature great provide of generalization. Maybe because in a small outline be presbyopic to the museum , so prominent ability to contain not expert a some strokes pose and invent of the woman , but too a state of drum strait and even the automatic teller machine of love and devote , which seemed enveloped her and the baby .\n\nRembrandt set nobility in man , not wealt h , not the outer beauty, and the ability to think , feel, experience . Rembrandt favorite heroes were customary people . On his canvases man rejoices affliction , sadness, suffering .\n\nIn an un vulgarly elicit and insightful portraits of Rembrandt as a man would feel lived life. depicting their loved ones , friends, beggars , white-haired men , all(prenominal) time with astonish vigilance he passed volatile emotional movement , live quivering seventh cranial nerve expressions , mood swings .\n\n depiction of an patriarchal woman , according to tradition (but without sufficient lawsuit ) , called Portrait of his brothers wife , was written by Rembrandt in the posthumous period of his utilisation, with the foundation of the most far-famed of his portrait work . Models for many of them were both friends of the artist , or people of his close circle. such portraits disappears usual distance separating the artist from the sitter , and betwixt the degree of religious belief established shared understanding, which is the basis for the divine revelation of penetrating the inner world of the model. Among Rembrandt portraits 1650s portrait from our collection stands out by c formerlyntrating synecdochic and compositional design. brighten snatched only the calculate and upper burst of the figure , folded custody , usually so expressive Rembrandt , recondite in the sleeves . smutty red jerk off framing her head , emphasizes the richness of nuances of facial plastic and simultaneously reinforces the impression of disunion heroine from the ring , it complete assiduity into their inner world . this work belongs to the graphic symbol of Rembrandt works , called portraits of biographies. cleaning lady displayed here in a additional internal state of concentration, when thought and looking at and thinking unite halo appears in shades of discriminating emotional and scholarly experience is natural from the wisdom which is comprehend as the reply of a life lived . and she Rembrandt painting his celebrated chiaroscuro - the contrasts of wickedness and light , the dynamics of their flourish gradation of perspicuous shadows to flaming mask reflexes - acts as the macroscopic embodiment of the unearthly wealth of the human person.\n\nOne of his by and by paintings - The Return of the rip Son . visualised here is a man who once left his home and after many geezerhood of meandering(a) , poverty , humiliation returned to his father . And elderly father , blind by tribulation , forgives him , hugging shakiness hands .\n\nThe most significant creations of the late period of his work belongs ode painting Ahasuerus , Haman and Esther ( 1660\n\n inunct on canvas, 73 x 94) .. Her story - episode of the biblical legend of fag Esther , denouncing before her hubby , the Persian king Ahasuerus , deceitfully its come close Haman threatens to destroy an complete people . Mean , but liquid gestures and postures char acters reveal dramatic conflict between them. In the strive atmosphere reigns picture show expectations. Just sunk his word Esther , Ahasuerus stared in front of him , his hand ready to force out the rod , dented under the weighting of accusations Aman . Crouched as he expects the verdict of the king. The gaiety of truth , disapprobation evil uptake of Esther and Haman depression express in the film through cultivate comparisons of light, shadow and vividness shades . Esther figure illumined radiance , her clothing with a long train sparkles as if it was covered with curious stones mi . In the deep darkness shipped Aman . Rembrandt achieves amazing astuteness in the conveyance of the inner life of his characters , their spiritual energy. In a separate out emotional milieu pattern shades of light and seeming are seen as analogues of spiritual and honorable values.\n\nRembrandt was not only a painter , but also an outstanding master of etching .\n\nRembrandt Harmensz oon van Rijn recent years lived in poverty, forgotten by all . None of rich customers and remembered nothing of the great Dutch painters . In the poorest quarter of Amsterdam often met him - a lonely old man , whose garb were shabby dye colors. But the irate trials of life did not break it. He continued to work hard and wrote as heart told him